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I HAVE MET THE ENEMY (and the enemy is us)

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I HAVE MET THE ENEMY (and the enemy is us)

What if we said that Britain (this tiny island) is the second biggest arms dealer in the world? 

I Have Met The Enemy (and the enemy is us) “An explosive, techno-soundtracked assault on the military machine” ★★★★ Guardian

Performed by Mo’min Swaitat, Alexander Eley and Shatha Altowai – a Palestinian actor, former British soldier and a Yemeni artist come together in a joint attempt to understand the UK arms trade and its impact around the world. With lasers, techno and robotic installation, I Have Met The Enemy asks audiences to take a close look at the UK defence industry and the role we play, as a nation and as individuals, in conflict and occupation around the world.

I Have Met the Enemy is part techno party, part investigation and above all else a call to action.

#IHaveMetTheEnemy

 

“One of the main criticisms I have of British theatre is that it has been slow to respond to the huge political and geopolitical nightmares swirling around us, but this timely and challenging piece helps address that…..what are we actually going to do with this new found knowledge?”

North West End

“a powerful means of making the abstract personal […] and when we hear at first hand the harrowing experiences of people in Yemen, relayed to us by a smiling, soft-eyed woman on a video link it’s very easy to appreciate that shared human connection.”

THEATRE | I Have Met The Enemy (And The Enemy Is Us) from Common Wealth Theatre

Tour Dates & Audience Note

Planning to tour to Cardiff in May 2020 and Edinburgh in August 2020 – Watch this space!

AUDIENCE NOTE

I Have Met the Enemy is immersive, there is no traditional seating although there are seats available for anyone with mobility issues and there will be an accessible viewing area. Please let us know if you require this on arrival.

70 Minutes running time 

Recommended age: 12+

Partners

A co-production with Northern Stage, in association with Chapter Arts and Southbank Centre. Funded by Arts Council England, Bradford Council and Paul Hamlyn Foundation.

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